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Grape Seeds, Shed the Load & The Lost Battle
• Grape Seeds, Shed the Load & The Lost Battle
October 24, 2024
by NATASHA DEVALIA
Grape Seeds
in one moment—
what is seen:
her father’s tears on her face,
her mother’s stud in her ear.
what is known:
there is no solution
but to leave,
the light has left her eyes.
one deep breath.
what is felt:
the tightness of her brothers’ hugs,
her tears squeezing their way out.
what is desired:
courage, hope.
what is unseen:
grape seeds in her belly,
the splinter in her foot,
the air in her lungs.
what is unknown:
if they will stamp her passport,
if she will be safe,
if she will be accepted there.
what is unfelt:
fear and emptiness,
numbness.
what is not desired:
fear and emptiness,
numbness.
a journey of life
in one moment
of treacherous seas,
by boat, by foot,
by truck, a tuna can—
being
in limbo
neither here nor there:
the end of a life project,
the middle of a divorce,
the midnight library,
every little death.
one moment:
seen and unseen,
known and unknown,
felt and unfelt,
desired and undesired.
every moment
a lifetime.
*
Shed the Load
Before candles there was electricity,
now the candle is burning on both ends.
Shed the load — no power
Share the load — 1 hour
Save the load — 4 hours
DAGADAGADAGADAGA
FEEDMEFEEDMEFEEDME
DAGADAGADAGADAGA
Load Shedding is the only thing
our government has promised
and delivered,
but even that is never on time.
4 rebels in protest are banging,
shouting, gathering at the ZESCO offices
tonight; lighting torches
in a movement of desperation.
“Let’s go to Kariba,”
said Mr. ZESCO manager,
“so you see for yourselves,
we are powerless.”
“See! Nyami nyami is breathing fire.
Our river dragon— furious,
for 70 years the dam
split him from his wife.”
“It is a love story,” said Mr. Manager,
“it’s a love story you see,
that didn’t end well.”
Shed the load — no power
Share the load — 8 hours
Save the load — 10 hours
DAGADAGADAGADAGA
FREEMEFREEMEFREEME
DAGADAGADAGADAGA
Residential GROUP D: BAULENI , CHAWAMA CLINIC,
CHAWAMA AREA, PART OF KAUNDA SQUARE STAGE 1,
KAUNDA SQUARE STAGE 2, PART OF CHAMBA VALLEY,
PART OF MTENDERE EAST…
KALUNDU AREA
is free of load shedding,
Yet it is in darkness.
…even loadshedding is never on time.
Shed the load — no power
Share the load — 14 hours
Save the load — hour after hour.
Candle-light dinner for two:
nshima and relish, but the chicken smells bad.
It was bought yesterday.
But Mr. Manager,
“How can we survive
when even UTH
is running on a generator?”
DAGADAGADAGADAGA
HEARMEREMEMBERME
FOREVER&EVERMORE
It is a love story you see,
that didn’t end well.
But how much longer, can the candle
continue to burn
on both ends?
*
The Lost Battle
I held my breath,
dove into the murky pond,
prepared to slay the dragon of the deep—
the final obstacle in this quest of heroes;
Then you will understand what I need,
who I am,
you will choose ME.
We will bathe together
in clear blue waters where finally,
you will see me, and I, you.
All this, only to be slayed myself.
The battle was treacherous,
wounded, I painted the swamp floor
in my own blood and mucous.
I fought back and stumbled,
I accused as I crumbled: NO one helps me.
You never choose ME, or CARE about me.
All this, to be slayed myself.
Broken, I turn to a higher power
as I cower on the riverbed.
All that remains is:
I love YOU.
Whether you see me or not,
whether you choose me or not,
love me or not…
I love you. I love you. I LOVE YOU.
There is only one way out of this pond:
when you hurt me
I will protect myself,
when your eyes skim over me
I will see myself,
when I am unlovable
I will still love myself,
All this, to be slayed myself,
to climb out of the pond,
all this, because I love YOU.
ABOUT THE AUTHOR
NATASHA DEVALIA is the author of one touch of the rope: Poetry and Art (2024) and Unseen Veins: Poetry and Art (2023), runner-up of the Aryamati Prize for Poetry. Natasha is Zambian of South Asian descent living in Thailand. She writes poetry and creative nonfiction, performs, and is currently an MFA (painting) student. The themes of her art, whether expressed through movement, poetry, painting, or interdisciplinary forms, include mental health, migration, identity, belonging, and family life. She expresses from her perspective as an individual, wife, mother, daughter, and sister. Natasha moves to the rhythm of her breath, to the melodies of those closest to her, and to the sounds of the world at large. nat.devalia@gmail.com@natashadevalia
*Image by enginakyurt on Pexels